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 have real artistic perception) see at once the difference between the results of irrepressible imagination and love of beauty, on the one hand, and, on the other, of restless and weary vacuity of mind, forced by the exigencies of fashion to do something or other to the innocent surface of the cloth in order to distinguish it in the market from other cloths; between the handiwork of the free craftsman doing as he pleased with his work, and the drudgery of the "operative" set to his task by the tradesman competing for the custom of a frivolous public, which had forgotten that there was such a thing as art.

The next method of ornamenting cloth is by painting it or printing on it with dyes. As to the painting of cloths with dyes by hand, which is no doubt a very old and widely practised art, it has now quite disappeared (modern 31