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 are filed down. Incrustation, or marquetry, of this kind is costly, and most of it is due to the labours of artists and craftsmen employed by the kings of France at the expense of the Government. A considerable quantity of it is still made in that country.

Now as to the way in which sculptors, or incrusters, should dispose of their decoration, and the fidelity to nature which is to be expected of them, whether in sculpture or wood mosaic, i.e. wood painting. First, we may suppose they will concentrate their more important details in recognisable divisions of their pieces, or in such ways that a proportion and rhythm shall be expressed by their dispositions of masses and fine details; placing their figures in central panels, on angles, or on dividing members; leaving some plain surface to set off their decorative detail; and taking care 318