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 The great charm in furniture of the simplest structure may best be seen in old illuminated manuscripts, where a chest, a bench, and against the wall a cupboard, the top rising in steps where are set out tall "Venice glasses," or a "garnish" of plate under a tester of some bright stuff, make up a whole of fairy beauty in the frank simplicity of the forms and the innocent gaiety of bright colour. Take the St. Jerome in his study of Dürer or Bellini, and compare the dignity of serene and satisfying order with the most beautifully furnished room you know: how vulgar our good taste appears and how foreign to the end of culture—Peace.

From records, and what remains to us, we know that the room, the hangings, and the furniture were patterned all over with scattered flowers and inscriptions—violets and the words "bonne pensée"; 307