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 general characteristics, whereas the very genius of classification could furnish no clue to the labyrinth of nineteenth-century design. The men of these earlier times made no laborious search for quaintness, no disordered attempt to combine the peculiarities of a dozen different ages. One general type was adhered to because it was the legacy of generations, and there was no reason for departing from such an excellent model. The designers and the workmen had only to perfect what was already good; they made no experiments in ornament, but used it with nice judgment, and full knowledge of its effect. The result was that, instead of being forced and unreasonable, their work was thoroughly happy; one cannot think of it as better done than it is.

The quality of reserve and sobriety is even more important. As compared with the later developments of the 297