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 entirely lacking in modern reproductions.

After the Restoration, signs of French influence appear in English furniture, but the tradition of structural fitness and dignity of design was preserved through the great architectural age of Wren and Gibbs, and lasted till the latter half of the eighteenth century. If that century was not particularly inspired, it at least understood consummate workmanship. The average of technical skill in the handicrafts was far in advance of the ordinary trade work of the present day. Some curious evidences of the activity prevailing in what are called the minor arts may be found in The Laboratory and School of Arts, a small octavo volume published in 1738. The work of this period furnishes a standing instance of the value of tradition. By the beginning of the eighteenth century a 293