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HE art of furnishing runs on two wheels—the room and the furniture. As in the bicycle, the inordinate development of one wheel at the expense of its colleague has been not without some great feats, yet too often has provoked catastrophe; so furnishing makes safest progression when, with a juster proportion, its two wheels are kept to moderate and uniform diameters. The room should be for the furniture just as much as the furniture for the room.

Of late it has not been so; we have been indulging in the "disproportionately 261