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 expect no general impulse towards the fine arts till civilisation has been transformed into some other condition of life, the details of which we cannot foresee. Let us then make the best of it, and admit that those who practise art must nowadays be conscious of that practice; by conscious I mean that they are either adding a certain amount of artistic beauty and interest to a piece of goods which would, if produced in the ordinary way, have no beauty or artistic interest, or that they are producing something which has no other reason for existence than its beauty and artistic interest. But having made the admission let us accept the consequences of it, and understand that it is our business as artists, since we desire to produce works of art, to supply the lack of tradition by diligently cultivating in ourselves the sense of beauty (pace the Impressionists), skill of hand, and xi