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 character. The Roman type of all these printers is similar in character, and is very simple and legible, and unaffectedly designed for use; but it is by no means without beauty. It must be said that it is in no way like the transition type of Subiaco, and though more Roman than that, yet scarcely more like the complete Roman type of the earliest printers of Rome.

A further development of the Roman letter took place at Venice. John of Spires and his brother Vindelin, followed by Nicholas Jenson, began to print in that city, 1469, 1470; their type is on the lines of the German and French rather than of the Roman printers. Of Jenson it must be said that he carried the development of Roman type as far as it can go: his letter is admirably clear and regular, but at least as beautiful as any other Roman type. After his 116