Page:Arts & Crafts Essays.djvu/108

 In the great days of Mediæval Art sculpture played a part of the highest importance. The works then produced are not only excellent in themselves, but are so designed as to form a part of the building they adorn. How thoroughly unfinished would be the west front of the Cathedral at Wells, or the portals of Amiens or Reims, without their sculpture.

How rarely can we feel this sense of satisfaction, of unity of result, between the work of the sculptor and the architect in our buildings of to-day. The figures are "stood about" like ornaments on the mantelpiece. The architect seems as unable to prepare for them as the sculptor to make them. We seldom see congruity even between the figure and the pedestal on which it stands.

The want of this extended sympathy leads to another ill result. Wood, stone, 84