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 ridge & Co. The work was republished in 1909 with additional illustrations.)


 * The Bee-Blowaways. Cassell & Co., Ltd. 17 illustrations. (One of the series of Little Folks Panel Books.)


 * The Argonauts of the Amazon. W. & R. Chambers, Ltd. 6 illustrations. (Also published by E. P. Dutton & Co., New York.)


 * The Greek Heroes, stories translated from Niebuhr, with additions. Cassell & Co., Ltd. 12 illustrations.

, and : Brains and Bravery, being stories told by G. A. Henty, Guy Boothby, L. T. Meade, J. Arthur Barry, Katharine Tynan, H. A. Bryden and others. 8 illustrations.


 * The Grey House on the Hill. Thomas Nelson & Sons. 8 illustrations.


 * Red Pottage. Geo. Newnes, Ltd. 8 illustrations. (One of the Newnes’ Sixpenny Novels Illustrated series.)


 * The Surprising Adventures of Tuppy and Tue. Cassell & Co., Ltd. 23 illustrations. (A reprint under a new title of Two Old Ladies, Two Foolish Fairies and a Tom Cat, published in 1897.)


 * The Peradventures of Private Paget. Chapman & Hall, Ltd. 8 illustrations.


 * Where Flies the Flag. Collins’ Clear-Type Press. 6 illustrations.


 * Two Years Before the Mast. Collins’ Clear-Type Press. 8 illustrations. (Also published by The John C. Winston Co., New York.)


 * Rip Van Winkle. William Heinemann. 51 illustrations. (There was also a de-luxe issue limited to 250 copies signed by Rackham. Also published by Doubleday, Page & Co., New York, in a trade edition.)


 * Stories of King Arthur. Cassell & Co., Ltd; Book 5 of Cassell’s Fairy Tale Series. 6 illustrations. (This booklet was reissued by Cassell’s, later in the same year, bound up with four others, under the general title of Fairy Tales Old and New.)


 * Peter Pan in Kensington Gardens. Hodder & Stoughton. 50 illustrations. (There was also a de-luxe issue limited to 500 copies signed by Rackham. Also published by Charles Scribner’s Sons, New York, in a trade edition.) A new edition was published in 1912 with a new coloured frontispiece, seven additional full-page illustrations, a new cover design, etc. There was also a de-luxe issue of this new edition, bound in vellum. Twelve of the coloured plates for the 1906 edition were issued, much enlarged, as The Peter Pan Portfolio in 1912. The edition was to be limited to 600 sets, of which it was intended that the first 100 should have each plate signed by the artist. In fact only about 20 sets were so signed. An American edition of the same twelve plates, limited to 300 sets, was published by Brentano’s in New York in 1914. Some of Rackham’s illustrations for Peter Pan were used, reduced in size, for an