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 to the object of his visit. "Professor Kennedy," he began, chewing his cigar and gazing about with evident interest at the apparatus Craig had collected in his warfare of science with crime, "I have dropped in here as a matter of patriotism. I want you to preserve to America those masterpieces of art and literature which I have collected all over the world during many years. They are the objects of one of the most curious pieces of vandalism of which I have ever heard. Professor Kennedy," he concluded earnestly, "could I ask you to call on Dr. Hugo Lith, the curator of my private museum, as soon as you can possibly find it convenient?"

"Most assuredly, Mr. Spencer," replied Craig, with a whimsical side glance at me that told without words that this was better relaxation to him than either the Metropolitan or the "movies." "I shall be glad to see Dr. Lith at any time—right now, if it is convenient to him." The millionaire connoisseur consulted his watch. "Lith will be at the museum until six, at least, Yes, we can catch him there. I have a dinner engagement at seven myself. I can give you half an hour of the time before then. If you're ready, just jump into the car, both of you."

The museum to which he referred was a handsome white marble building, in Renaissance, fronting on a side street just off Fifth Avenue and in the rear of the famous Spencer house, itself one of the show places of that wonderful thoroughfare. Spencer had built the museum at great cost simply to house those treasures which were too dear to him to entrust to a