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 He turned away, paused to look at me for some time and finally gave me the correct sort of nod. But he said nothing and went out, or rather lounged out with his worldly manner of perfect ease under all conceivable circumstances. With her head lowered Dona Rita watched him till he actually shut the door behind him. I was facing her and only heard the door close.

"Don't stare at me," were the first words she said.

It was difficult to obey that request. I didn't know exactly where to look, while I sat facing her. So I got up, vaguely full of goodwill, prepared even to move off as far as the window, when she commanded:

"Don't turn your back on me."

I chose to understand it symbolically.

"You know very well I could never do that. I couldn't.  Not even if I wanted to." And I added: "It's too late now."

"Well, then, sit down. Sit down on this couch."

I sat down on the couch. Unwillingly? Yes. I was at that stage when all her words, all her gestures, all her silences were a heavy trial to me, put a stress on my resolution, on that fidelity to myself and to her which lay like a leaden weight on my untried heart. But I didn't sit down very far away from her, though that soft and billowy couch was big enough, God knows! No, not very far from her. Self-control, dignity, hopelessness itself, have their limits. The halo of her tawny hair stirred as I let myself drop by her side. Whereupon she flung one arm round my neck, leaned her temple against my shoulder and began to sob; but that I could only guess from her slight, convulsive movements because in our relative positions I could only see the mass of her tawny