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Rh 'The Clouds,' only that he is a more unwilling disciple in the new school of unrighteousness. The answer given him by the god is, that he must accost the first person he meets on quitting the temple, and persuade or compel him to accompany him home to his house.

Chremylus appears on the stage accompanied by his slave Cario,—a clever rascal, the earliest classical type which has come down to us of the Davus with whom we become so familiar in Roman comedy, and the Leporello and Scapin, and their numerous progeny of lying valets and sharp servants, impudent but useful, who occupy the modern stage. They have encountered the stranger, and are following him; he is in rags, and he turns out to be blind. With some difficulty, and not without threats of beating, they get him to disclose his name: it is Plutus, the god of wealth himself. But how, then, in the name of wonder, does he appear in this wretched plight? He has just escaped, he tells them, from the house of a miser (who is satirised by name, with all the liberty of a satirist to whom actions for libel were unknown), where he has had a miserable time of it. And how, they ask, came he to be blind?

Pl. Jove wrought me this, out of ill-will to men.

For in my younger days I threatened still

T would betake me to the good and wise

And upright only; so he made me blind,

That I should not discern them from the knaves.

Such grudge bears he to worth and honesty.

Chr. Yet surely 'tis the worthy and the honest

Alone who pay him sacrifice?

Pl. I know 'tis so.