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ALTHOUGH the opening of this Poem be that of a loveelegy, and the greater part of it be purely pastoral, yet it seems to have been composed on an occasion more exalted than the departure of a mistress, or the complaints of a lover. For the poet, who was also a genuine patriot, had been entertained at the court of Nomaan, King of Hira in Mesopotamia, and bad been there engaged in a warm controversy with Rabeiah, son of Zeiad, chief of the Absites, concerning the comparative excellence of their tribes. Lebeid himself relates, what might be very naturally expected from a man of his eloquence and warmth, that he maintained the glory of his countrymen and his own dignity against all opponents; but, in order to perpetuate his victory, and to render his triumph more brilliant, he produced the following poem at the annual assembly, and having obtained the suffrages of the critics, was permitted, we are told, to hang it up on the gate of the Temple.

The fifteen first couplets are extremely picturesque, and highly characteristic of Arabian manners. They are followed by an expostulatory address of the poet himself, or of some friend who attended him on his rambles, on the folly of his fruitless passion