Page:Anthology of Japanese Literature.pdf/276

272 :(The stage is completely bare. Two drummers and a flute player come through the curtain and, passing down the Bridge, take their usual seats at the rear of the stage. They are followed in silence by the Wife and Child. The Wife wears the mask and wig of a middle-aged woman; her inner kimono is the color of dried autumn leaves, over which is a kimono with a small pattern and a long outer kimono in somber colors which trails behind her on the floor. The Child, apparently six or eight years of age, wears a hakama and a brightly embroidered outer kimono over a scarlet inner kimono. They seat themselves near the Waki’s Pillar. The Monk enters, accompanied by the introductory flute music. He is wearing a dark kimono and a peaked cowl of brocade which flows down over his shoulders, and carries a rosary. He passes down the Bridge onto the stage, where he stops at the Name-Saying Seat and, facing the audience, introduces himself.)

I am a wandering monk, making a pilgrimage throughout the provinces. I have never yet visited the village of Soto no Hama in Michinoku. Thinking on this, I was recently minded to go to Soto no Hama. And as the occasion is indeed favorable, I am planning to stop in passing and practice religious austerities upon Tateyama.


 * (Takes two steps forward, indicating he has arrived at the foot of the mountain.)

Coming swiftly along the road, already I have arrived here at Tateyama. With serene and reverent heart I now shall visit the mountain.


 * (Goes to center of stage, indicating he has climbed to the summit.)

But lo! upon arriving here on Tateyama, my eyes do indeed behold a living Hell. And the heart of even the boldest man must quail before this fell sight, more frightful even than demons and fiends. Here the countless mountain trails, grim and precipitous, split asunder as if to lead down into the Realm of Ravenous Ghosts, and down into the Realm of Bestiality.