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 of the tone he said it in. Part of it was anyhow. There was an American sitting behind Jane and me—such a romantic-looking man, with coal-black hair and eyes. Josie Pye says he is a distinguished artist, and that her mother’s cousin in Boston is married to a man that used to go to school with him. Well, we heard him say—didn’t we, Jane?—‘Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint.’ There now, Anne. But what does Titian hair mean?”

“Being interpreted it means plain red, I guess,” laughed Anne. “Titian was a very famous artist who liked to paint red-haired women.”

“Did you see all the diamonds those ladies wore?” sighed Jane. “They were simply dazzling. Wouldn’t you just love to be rich, girls?”

“We are rich,” said Anne stanchly [sic]. “Why, we have sixteen years to our credit, and we’re happy as queens, and we’ve all got imaginations, more or less. Look at that sea, girls—all silver and shadow and vision of things not seen. We couldn’t enjoy its loveliness any more if we had millions of dollars and ropes of diamonds. You wouldn’t change into any of those women if you could. Would you want to be that white lace girl and wear a sour look all your life, as if you’d been born turning up your nose at the world? Or the pink lady, kind and nice as she is, so stout and short that you’d really no figure at all? Or even Mrs. Evans, with that sad, sad look in