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 with her growth, and it is not probable she lamented them. The floor was covered with a pretty matting, and the curtains that softened the high window and fluttered in the vagrant breezes were of pale green art muslin. The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy’s photograph occupied the place of honour, and Anne made a sentimental point of keeping fresh flowers on the bracket under it. To-night a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no “mahogany furniture,” but there was a white-painted bookcase filled with books, a cushioned wicker rocker, a toilet-table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink cupids and purple grapes painted over its arched top, that used to hang in the spare room, and a low white bed.

Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura Spencer of Spencervale and Anne Shirley of Avonlea were to recite.