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 up a concert. We’re going to have six choruses and Diana is to sing a solo. I’m in two dialogues—‘The Society for the Suppression of Gossip’ and ‘The Fairy Queen.’ The boys are going to have a dialogue, too. And I’m to have two recitations, Marilla. I just tremble when I think of it, but it’s a nice thrilly kind of tremble. And we’re to have a tableau at the last—‘Faith, Hope and Charity.’ Diana and Ruby and I are to be in it, all draped in white with flowing hair. I’m to be Hope, with my hands clasped—so—and my eyes uplifted. I’m going to practise my recitations in the garret. Don’t be alarmed if you hear me groaning. I have to groan heartrendingly in one of them, and it’s really hard to get up a good artistic groan, Marilla. Josie Pye is sulky because she didn’t get the part she wanted in the dialogue. She wanted to be the fairy queen. That would have been ridiculous, for who ever heard of a fairy queen as fat as Josie? Fairy queens must be slender. Jane Andrews is to be the queen and I am to be one of her maids of honour. Josie says she thinks a red-haired fairy is just as ridiculous as a fat one, but I do not let myself mind what Josie says. I’m to have a wreath of white roses on my hair and Ruby Gillis is going to lend me her slippers because I haven’t any of my own. It’s necessary for fairies to have slippers, you know. You couldn’t imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir