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 just received a compliment from one of her cousins, felt that she ought to pass it on. “You’ve got the loveliest colour.”

The programme that night was a series of “thrills” for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink silk waist with a string of pearls about her smooth white throat and real carnations in her hair—rumour whispered that the master had sent all the way to town for them for her—“climbed the slimy ladder, dark without one ray of light,” Anne shivered in luxurious sympathy; when the choir sang “Far Above the Gentle Daisies” Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate “How Sockery Set a Hen” Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony’s oration over the dead body of Cæsar in the most heart-stirring tones—looking at Prissy Andrews at the end of every sentence—Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way.

Only one number on the programme failed to interest her. When Gilbert Blythe recited “Bingen on the Rhine” Anne picked up Rhoda Murray’s library book and read it until he had finished, when she sat