Page:Ann Veronica, a modern love story.djvu/117



The art of ignoring is one of the accomplishments of every well-bred girl, so carefully instilled that at last she can even ignore her own thoughts and her own knowledge. Ann Veronica could at the same time ask herself what this queer old gentleman could have meant by speaking to her, and know--know in general terms, at least--what that accosting signified. About her, as she had gone day by day to and from the Tredgold College, she had seen and not seen many an incidental aspect of those sides of life about which girls are expected to know nothing, aspects that were extraordinarily relevant to her own position and outlook on the world, and yet by convention ineffably remote. For all that she was of exceptional intellectual enterprise, she had never yet considered these things with unaverted eyes. She had viewed them askance, and without exchanging ideas with any one else in the world about them.

She went on her way now no longer dreaming and appreciative, but disturbed and unwillingly observant behind her mask of serene contentment.

That delightful sense of free, unembarrassed movement was gone.

As she neared the bottom of the dip in Piccadilly she saw a woman approaching her from the opposite direction--a tall woman who at the first glance seemed altogether beautiful and fine. She came along with the fluttering assurance of some tall ship. Then as she drew nearer paint showed upon her face, and a harsh purpose behind the quiet expression of her open countenance, and a sort of unreality in her splendor betrayed itself for which Ann Veronica could not recall the