Page:Anecdotes of painters, engravers, sculptors and architects, and curiosities of art (IA anecdotesofpaint01spoo).pdf/316



Wren prepared several designs and models for this great edifice. The composition of his favorite plan was compact and simple, forming a general octagonal mass, surmounted by a cupola, and extended on its west side by a portico, and a short nave or vestibule within. The plan adopted, exhibits an almost opposite mode of treatment, both as to arrangement and proportions. While the first exhibits concentration and uniform spaciousness, the other is more extended as to length, but contracted in other respects, and the diagonal vistas that would have been obtained in the other case, are altogether lost in this. The first stone of the present edifice was laid June 21, 1675; the choir was opened for divine service in December, 1697; and the whole was completed in thirty-five years, the last stone on the summit of the lantern being laid by the architect's son Christopher, in 1710. Taken altogether, St. Paul's Cathedral is a truly glorious work, and its cupola is matchless in beauty. There are few churches of the past or present day that can vie with it in richness of design; and St. Peter's, with its single order and attic, appearing of much smaller dimensions than it really is, cannot be put in comparison with it. For a description of this edifice, see Spooner's Dictionary of Painters, Engravers, Sculptors, and Architects.