Page:Anecdotes of painters, engravers, sculptors and architects, and curiosities of art (IA anecdotesofpaint01spoo).pdf/292



Soon after Lionardo's return to Florence, in 1503, he was commissioned by the Gonfalonière Soderini to decorate one side of the Council Hall of the Palazzo Vecchio, while Michael Angelo was engaged to paint the opposite side. Lionardo selected the battle in which the Milanese general, Niccolo Piccinino, was defeated by the Florentines at Anghiari, near Borgo San Sepolcro. This composition, of which he only made the cartoon of a part, was called the Battle of the Standard; it represents a group of horsemen contending for a standard, with various accessories. Vasari praises the beauty and anatomical correctness of the horses, and the costumes of the soldiers. Lanzi says it was never executed, after his failing in an attempt to paint it in a new method upon the wall, but Lucini afterwards represented it in a painting which is in the Ambrosian Library at Milan, esteemed one of the finest works in that collection. The fame of this contest between the two great artists, caused great excitement, and induced Raffaelle, who had recently quitted the school of Perugino, to visit Florence. The grace and delicacy of Lionardo's style, compared with the dry and gothic manner of Perugino, excited the admiration of the young painter, and inspired him with a more modern taste.