Page:Anecdotes of painters, engravers, sculptors and architects, and curiosities of art (IA anecdotesofpaint01spoo).pdf/273

 His father, Pellegrino Allegri, was a general merchant in Correggio, esteemed by his fellow-citizens. His circumstances were easy, and he intended Antonio for one of the learned professions, but his passion for painting induced him to allow him to follow the bent of his genius. It is not certainly known under whom he studied painting. Some of the Italian writers say that he was instructed by Francesco Bianchi and Giovanni Murani, called Il Frari; others that he was a pupil of Lionardo da Vinci and Andrea Mantegna; Lanzi is decidedly of the opinion that he formed his style by studying the works of Mantegna, who died in 1506, which does away with the supposition that he could have studied with him. "The manner," says Lanzi, "in which Correggio could have imbibed so exquisite a taste, has always been considered surprising and unaccountable, prevailing everywhere, as we find in his canvass, in his laying on his colors, in the last touches of his pictures; but let us for a moment suppose him a student of Mantegna's models, surpassing all others in the same taste, and the wonder will be accounted for. Let us, moreover, consider the grace and vivacity so predominant in the compositions of Correggio, the rainbow as it were of his colors, that accurate care in his foreshortenings, and of those upon ceilings; his abundance of laughing boys and cherubs, of flowers, fruits, and all delightful objects; and let us ask ourselves whether this new style does not appear an exquisite completion