Page:Anecdotes of painters, engravers, sculptors and architects, and curiosities of art (IA anecdotesofpaint01spoo).pdf/272

 timid and diffident of his own powers; burthened with a numerous family, which, with all his prodigious talents, he could scarcely support; illy recompensed for his works; and to crown the sad story, we are told that, having received at Parma a payment of sixty crowns in copper money, he caught a fever in the exertion of carrying it home on his shoulders, which occasioned his death.

This picture, however, according to Lanzi, is exaggerated; for although the situation of Correggio was far beneath his merits, yet it was by no means deplorable. His family was highly respectable, and possessed considerable landed property, which is said to have been augmented by his own earnings; and so far from his having died of the fatigue of carrying home copper money, he was usually paid in gold. For the cupola and tribune of the church of St. John, he received four hundred and seventy-two sequins; for that of the Cathedral, three hundred and fifty; payments by no means inconsiderable in those times. For his celebrated Notte he was paid forty sequins, and for the St. Jerome, which cost him six months' labor, forty-seven. It does not appear probable that he acquired great riches, but there is no doubt that he was equally screened from the evils attendant on penury and affluence.

The researches and discoveries of the learned Tiraboschi, the indomitable Dr. Michele Antonioli, and the zealous and impartial Padre Luigi Pungileoni, have thrown much light upon the life of Correggio.