Page:Anecdotes of painters, engravers, sculptors and architects, and curiosities of art (IA anecdotesofpaint01spoo).pdf/252

 quitting the precepts of Pacheco, he formed his style from the works of Tristan.

TRISTAN AND EL GRECO.

Tristan was the favorite pupil of El Greco, to whom his master made over many commissions, which he was unable to execute himself. In this manner he was employed to paint the Last Supper, for the Hieronymite monastery of La Sisla. The monks liked the picture; but they thought the price which the artist asked for it, of two hundred ducats, excessive. They therefore sent for El Greco to value it; but when this master saw his pupil's work, he raised his stick and ran at him, calling him a scoundrel and a disgrace to his profession. The monks restrained the angry painter, and soothed him by saying that the young man did not know what he asked, and no doubt would submit to the opinion of his master. "In good truth," returned El Greco, "he does not know what he has asked; and if he does not get five hundred ducats for the picture, I desire it may be rolled up and sent to my house." The Hieronymites were compelled to pay the larger sum!

ALONSO CANO.

This eminent Spanish painter, sculptor, and architect, was born at Granada, according to Bermudez, in 1601. He early showed a passion for the fine arts, and exhibited extraordinary talents. He