Page:Anecdotes of painters, engravers, sculptors and architects, and curiosities of art (IA anecdotesofpaint01spoo).pdf/196

 This plan was new, startling, and unproductive. It was probably planned to prevent biddings by proxy, and so secure to the artist the price which men of wealth and rank might be induced to offer publicly for works of genius. "A method so novel," observes Ireland, "probably disgusted the town; they might not exactly understand this tedious formula of entering their names and places of abode in a book open to indiscriminate inspection; they might wish to humble an artist who, by his proposals, seemed to consider that he did the world a favor in suffering them to bid for his works; or the rage for paintings might be confined to the admirers of the old masters." Be that as it may, he received only four hundred and twenty-seven pounds seven shillings for his nineteen pictures—a price by no means equal to their merit.

The prints of the Harlot's Progress had sold much better than those of the Rake's; yet the paintings of the former produced only fourteen guineas each, while those of the latter were sold for twenty-two. That admirable picture, Morning, brought twenty guineas; and Night, in every respect inferior to almost any of his works, six and twenty. Such was the reward, then, to which these patrons of genius thought his works entitled. More has since been given, over and over again, for a single painting, than Hogarth obtained for all his paintings put together.