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 formalism and the irrepressible spirit of democracy.

Is it possible to look at a single costume painted by Velasquez without realizing that the Spanish court under Philip the Fourth had lost the mobility which has characterized it in the days of Ferdinand and Isabella, and had hardened into a formalism, replete with dignity, but lacking intelligence, and out of touch with the great social issues of the day? French chroniclers have written page after page of description—aimless and tiresome description, for the most part—of those amazing head-dresses which, at the court of Marie Antoinette, rose to such heights that the ladies looked as if their heads were in the middle of their bodies. They stood seven feet high when their hair was dressed, and a trifle over five when it wasn't. The Duchesse de Lauzun wore upon one memorable occasion a head-dress presenting a landscape in high relief on the shore of a 182