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 Amboise taught us that, at the feeding-hour, motors came flocking like fowls, and then, like fowls, dispersed. They were disagreeable while they lasted, but they never lasted long. Replete with a five-course luncheon, their fagged and grimy occupants sped on to distant towns and dinner.

But why should we, who knew well that there is not, and never has been, a quiet corner in all France, have listened to a traveller's tale, and believed in a silent Amboise? Is there no limit to human credulity? Does experience count for nothing in the Bourbon-like policy of our lives? It is to England we must go if we seek for silence, that gentle, pervasive silence which wraps us in a mantle of content. It was in Porlock that Coleridge wrote "Kubla Khan," transported, Heaven knows whither, by virtue of the hushed repose that consecrates the sleepiest hamlet in Great Britain. It was at Stoke Pogis that Gray composed 145