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 Albany boat—which cause a native American returning from a year in Europe to exclaim as he sails up the tranquil bosom of the Hudson and rushes by a standard steel Pullman, back to the great warm embrace of his own land, "Thank Heaven, we are home again." No, it is none of these things. If, without going to Munich, you wish to know what a "civilized cultural atmosphere" really is, you must let Mr. Lewisohn describe it for you as it existed, till the passage of the Volstead act, in one or two odd corners of old New York: "The lamps of the tavern had orange-colored shades, the wainscoting was black with age. The place was filled with a soothing dusk and the blended odor of beer and tobacco and Wiener Schnitzel. I was, at least, back in civilization. That tavern is gone now, swept away by the barbarism of the Neo-Puritans."

To the book from which this quotation is made, Mr. Lewisohn's recently published autobiographical record, Up Stream, students of contemporary critical currents and eddies are much indebted. The author, like many of the other belligerent young writers who have shown in recent years a grave concern for the state of civilization in America, has ostensibly been directing his attack against our national culture from a very elevated position. He has professed himself one of the enlightened spirits who from time to time rise above the narrowing prejudices of nationality into the free air of the republic of letters, the grand cosmopolis of the true