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 is differentiated by her rich dark beauty, her voluptuous Oriental taste for the gorgeously beautiful, and by her aspect, when she is flushed with momentary joy, of a heroine of romance. But her most interesting distinction is her moral independence and originality. It is to be noted that though her punishment causes her shame and suffering, it does not appear to bring her to any clear state of contrition or repentance. She feels that society by making her an outcast has severed her obligation to it. For it, she exists only as a terrible example. For herself, she is a free spirit liberated in a moral wilderness with her own way to make and take. In these circumstances her thinking has little reference to the doctrines expounded in the meeting-house. She thinks as her heart prompts; and her heart tells her that Arthur Dimmesdale is still her supreme good, and devotion to him her highest duty. The world's frown she had endured and the frown of heaven; "but the frown of this pale, weak, sinful, and sorrow-stricken man was what Hester could not bear and live!" To save him she had borne in silence the burden of her knowledge of Roger Chillingworth's presence. To redeem him from misery she is ready to flee with him to other lands. Though in the years of her exile she had quietly conformed to the external regulations of society, "the world's law," says her historian, "was no law for her mind." Her readiness to leave the colony with the minister, Hawthorne desires us to