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 for something ordered and proportioned—for the Rue de Rivoli or Regent Street." I heard this admiration emphatically expressed the other day by one of the foremost and most justly famous of American authors; but, unlike Mr. Steevens, I could not understand it. "What!" I said, "you would Haussmannize New York! You would reduce the glorious variety of Fifth Avenue to the deadly uniformity of the Avenue de l'Opéra, where each block of buildings reproduces its neighbour, as though they had all been stamped by one gigantic die!" Such an architectural ideal is inconceivable to me. It is all very well for a few short streets, for a square or two, for a quadrant like that of Regent Street, or a crescent or circus like those of Bath or Edinburgh. But to apply it throughout a whole quarter of a city, or even throughout the endless vistas of a great American street, would be simply maddening. Better the most heaven-storming or sky-scraping audacity of individualism than any attempt to transform New York into a Fourierist phalanstery or a model prison. I do not doubt that there will one day be some legal restriction on Towers of Babel, and that the hygienic disadvantages of the microbe-breeding "well" or air-shaft will be more fully recognised than they are at present. A time may come, too, when the ideal of an unforced harmony in architectural groupings may replace the now dominant instinct of aggressive diversity. But whatever developments the future