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 article. And, for my part, I think the principle a false one. I think the English language has been entrusted to the care of all of us, English no less than Americans, Americans no less than English; and if I find an American writer debasing it in an essential point, as opposed to a point of mere local predilection, I assert my right to remonstrate with him, just as I admit his right, under similar circumstances, to remonstrate with me.

It is not here, however, that I join issue with Mr. Lang: it is on his theory that an English writer necessarily does wrong who unnecessarily employs an Americanism. This is a question of great practical moment, and I am glad that Mr. Lang has stated it in this definite form. My view is perhaps sufficiently indicated above, but I take the opportunity of re-asserting it with all deliberation. I believe that, as a matter both of literary and of social policy, we ought to encourage the free infiltration of graphic and racy Americanisms into our vernacular, and of vigorous and useful Americanisms (even if not absolutely necessary) into our literary language. Where is the harm in duplicating terms, if only the duplicates be in themselves good terms? For instance, take the word "fall." Mr. Brander Matthews writes: "An American with a sense of the poetic cannot but prefer to the imported word 'autumn' the native and more logical word 'fall,' which the British have strangely suffered to drop into disuse." Well, "autumn" was a sufficiently early