Page:AlgonquinSyllabary.djvu/12

Rh {|
 * | 𝒶𝒜
 * | 𝑒
 * | 𝒾
 * 𝑜
 * 𝓁𝒶 || 𝓁𝑒 || 𝓁𝒾 || 𝓁𝑜
 * 𝓉𝒶 || 𝓉𝑒 || 𝓉𝒾 || 𝓉𝑜
 * 𝓈𝒶 || 𝓈𝑒 || 𝓈𝒾 || 𝓈𝑜
 * 𝒹𝒶 || 𝒹𝑒 || 𝒹𝒾 || 𝒹𝑜
 * 𝓉𝓉𝒶 || 𝓉𝓉𝑒 || 𝓉𝓉𝒾 || 𝓉𝓉𝑜
 * 𝓎𝒶 || 𝓎𝑒 || 𝓎𝒾 || 𝓎𝑜
 * 𝓌𝒶 || 𝓌𝑒 || 𝓌𝒾 || 𝓌𝑜
 * 𝓂𝒶 || 𝓂𝑒 || 𝓂𝒾 || 𝓂𝑜
 * 𝓃𝒶 || 𝓃𝑒 || 𝓃𝒾 || 𝓃𝑜
 * 𝒦𝒶 || 𝒦𝑒 || 𝒦𝒾 || 𝒦𝑜
 * 𝓍𝒶 || 𝓍𝑒 || 𝓍𝒾 || 𝓍𝑜
 * }
 * 𝓎𝒶 || 𝓎𝑒 || 𝓎𝒾 || 𝓎𝑜
 * 𝓌𝒶 || 𝓌𝑒 || 𝓌𝒾 || 𝓌𝑜
 * 𝓂𝒶 || 𝓂𝑒 || 𝓂𝒾 || 𝓂𝑜
 * 𝓃𝒶 || 𝓃𝑒 || 𝓃𝒾 || 𝓃𝑜
 * 𝒦𝒶 || 𝒦𝑒 || 𝒦𝒾 || 𝒦𝑜
 * 𝓍𝒶 || 𝓍𝑒 || 𝓍𝒾 || 𝓍𝑜
 * }
 * 𝒦𝒶 || 𝒦𝑒 || 𝒦𝒾 || 𝒦𝑜
 * 𝓍𝒶 || 𝓍𝑒 || 𝓍𝒾 || 𝓍𝑜
 * }
 * 𝓍𝒶 || 𝓍𝑒 || 𝓍𝒾 || 𝓍𝑜
 * }
 * }

The symbols are sometimes modiﬁed for hidden motives. A simple form of the modiﬁcation occurs with change of vowel only: in this change there is no sign for 𝒶 or 𝒜; a low dot (.) represents 𝑒, a raised dot (˙) stands for 𝒾; and two low dots (..) are for 𝑜. In this slightly altered form, the syllabary then appears as follows:—

A much wider modiﬁcation occurs with complete alteration of both vowel and consonant. In the vowels, 𝒶 and 𝒜 become ×, 𝑒 becomes, 𝒾 becomes , 𝑜 becomes. In the