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 however, may be taken as established. Pope was printing a new edition of his works at the time of his death. He had just distributed to his friends some copies of the Ethic Epistles, and in those copies the Atossa appeared. Bolingbroke, to whom Pope had left his unpublished papers, discovered it, and immediately identified it with the duchess, who (it must be noticed) was still alive. He wrote to Marchmont, one of Pope's executors, that there could be "no excuse for Pope's design of publishing it after the favour you and I know." This is further explained by a note added in pencil by Marchmont's executor, "1000l;" and the son of this executor, who published the Marchmont papers, says that this was the favour received by Pope from the duchess. This, however, is far from proving a direct bribe. It is, in fact, hardly conceivable that the duchess and Pope should have made such a bargain in direct black and white, and equally inconceivable that two men like Bolingbroke and Marchmont should have been privy to such a transaction, and spoken of it in such terms. Bolingbroke thinks that the favour received laid Pope under an obligation, but evidently does not think that it implied a contract. Mr. Dilke has further pointed out that there are many touches in the character which distinctly apply to the Duchess of Buckingham, with whom Pope had certainly quarrelled, and which will not apply to the Duchess of Marlborough, who had undoubtedly made friends with him during the last years of his life. Walpole again tells a story, partly confirmed by Warton, that Pope had shown the character to each duchess (Warton says only to Marlborough), saying that it was meant for the other. The Duchess of Buckingham, he says, believed him; the other had more sense and paid him 1000l. to suppress it.