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 corresponding emotions. He might have uttered the melancholy resignation and the confident hope incited in different minds by a contemplation of the mysterious world. He might again conceivably have written an interesting work, though it would hardly have been a poem—if he had versified the arguments by which a coherent theory might be supported. Unluckily, he was quite unqualified for either undertaking, and, at the same time, he more or less aimed at both. Anything like sustained reasoning was beyond his reach. Pope felt and thought by shocks and electric flashes. He could only obtain a continuous effect when working clearly upon lines already provided for him, or simulate one by fitting together fragments struck out at intervals. The defect was aggravated or caused by the physical infirmities which put sustained intellectual labour out of the question. The laborious and patient meditation which brings a converging series of arguments to bear upon a single point, was to him as impossible as the power of devising an elaborate strategical combination to a dashing Prince Rupert. The reasonings in the Essay are confused, contradictory, and often childish. He was equally far from having assimilated any definite system of thought. Brought up as a Catholic, he had gradually swung into vague deistic belief. But he had never studied any philosophy or theology whatever, and he accepts in perfect unconsciousness fragments of the most heterogeneous systems.

Swift, in verses from which I have already quoted, describes his method of composition, which is characteristic of Pope's habits of work.