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 eyes, purblind, splay-footed, and "baker-kneed." According to the same queer authority, who professes to have lodged in Curll's house, he was drunk, as often as he could drink for nothing, and intimate in every London haunt of vice. "His translators lay threc in a bed at the Pewter Platter Inn in Holborn," and helped to compile his indecent, piratical, and catchpenny productions. He had lost his ears for some obscene publication; but Amory adds, "to his glory," that he died "as great a penitent as ever expired." He had one strong point as an antagonist. Having no character to lose, he could reveal his own practices without a blush, if the revelation injured others.

Pope had already come into collision with this awkward antagonist. In 1716 Curll threatened to publish the Town Eclogues, burlesques upon Ambrose Philips, written by Lady Mary, with the help of Pope and perhaps Gay. Pope, with Lintot, had a meeting with Curll in the hopes of suppressing a publication calculated to injure his friends. The party had some wine, and Curll on going home was very sick. He declared—and there are reasons for believing his story—that Pope had given him an emetic, by way of coarse practical joke. Pope, at any rate, took advantage of the accident to write a couple of squibs upon Curll, recording the bookseller's ravings under the action of the drug, as he had described the ravings of Dennis provoked by Cato. Curll had his revenge afterwards; but meanwhile he wanted no extraneous motive to induce him to publish the Cromwell letters. Cromwell had given the letters to a mistress, who fell into distress and sold them to Curll for ten guineas.

The correspondence was received with some favour, and suggested to Pope a new mode of gratifying his vanity. An occasion soon offered itself. Theobald, the hero of