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 by many incidental hits at Cibber, and Cibber made a good-humoured reference to this abuse in the Apology. Hereupon Pope, in the new Dunciad, described him as reclining on the lap of the goddess, and added various personalities in the notes. Cibber straightway published a letter to Pope, the more cutting because still in perfect good-humour, and told the story about the original quarrel. He added an irritating anecdote in order to provoke the poet still further. It described Pope as introduced by Cibber and Lord Warwick to very bad company. The story was one which could only be told by a graceless old representative of the old school of comedy, but it hit its mark. The two Richardsons once found Pope reading one of Cibber's pamphlets. He said, "These things are my diversion;" but they saw his features writhing with anguish, and young Richardson, as they went home, observed to his father that he hoped to be preserved from such diversions as Pope had enjoyed. The poet resolved to avenge himself, and he did it to the lasting injury of his poem. He dethroned Theobald, who, as a plodding antiquarian, was an excellent exponent of dulness, and installed Cibber in inin [sic] his place, who might be a representative of folly, but was as little of a dullard as Pope himself. The consequent alterations make the hero of the poem a thoroughly incongruous figure, and greatly injure the general design. The poem appeared in this form in 1743, with a ponderous prefatory discourse by Ricardus Aristarchus, contributed by the faithful Warburton, and illustrating his ponderous vein of elephantine pleasantry.

Pope was nearing the grave, and many of his victims had gone before him. It was a melancholy employment for an invalid, breaking down visibly month by month;