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 young man continued: "By the way, I've got a message for you: the Countess Olenska expects us both at half-past five."

He said it lightly, carelessly, as he might have imparted any casual item of information, such as the hour at which their train was to leave for Florence the next evening. Archer looked at him, and thought he saw in his gay young eyes a gleam of his great-grandmother Mingott's malice.

"Oh, didn't I tell you?" Dallas pursued. "Fanny made me swear to do three things while I was in Paris: get her the score of the last Debussy songs, go to the Grand-Guignol and see Madame Olenska. You know she was awfully good to Fanny when Mr. Beaufort sent her over from Buenos Ayres to the Assomption. Fanny hadn't any friends in Paris, and Madame Olenska used to be kind to her and trot her about on holidays. I believe she was a great friend of the first Mrs. Beaufort's. And she's our cousin, of course. So I rang her up this morning, before I went out, and told her you and I were here for two days and wanted to see her."

Archer continued to stare at him. "You told her I was here?"

"Of course—why not?" Dallas's eye brows went up whimsically. Then, getting no answer, he slipped his arm through his father's with a confidential pressure.

"I say, father: what was she like?"

Archer felt his colour rise under his son's unabashed gaze. "Come, own up: you and she were great pals, weren't you? Wasn't she most awfully lovely?"

"Lovely? I don't know. She was different."

"Ah—there you have it! That's what it always comes to, doesn't it? When she comes, she's different—and one doesn't know why.  It's exactly what I feel about Fanny."