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 transcript from the Greek and there exclusively—Greek names and places precisely as does the Greek author. I began this practice, with great innocency of intention, some six-and-thirty years ago. Leigh Hunt, I remember, was accustomed to speak of his gratitude, when ignorant of Greek, to those writers (like Goldsmith) who had obliged him by using English characters, so that he might relish, for instance, the smooth quality of such a phrase as "hapalunetai galené;" he said also that Shelley was indignant at "Firenze" having displaced the Dantesque "Fiorenza," and would contemptuously English the intruder "Firence." I supposed I was doing a simple thing enough: but there has been lately much astonishment at os and us, ai and oi, representing the same letters in Greek. Of a sudden, however, whether in translation or out of it, everybody seems committing the offence, although the adoption of u for v still presents such difficulty that it is a wonder how we have hitherto escaped "Eyripides." But there existed a sturdy Briton who, Ben Jonson informs us, wrote "The Life of the Emperor Anthony Pie"—whom we now acquiesce in as