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Rh action of the piece; when it becomes prominent, its characteristic, like that of their statues, is a charming propriety and harmony; in other words, beauty. In &quot;Hamlet&quot; the action of the piece is subordinate to the character of the hero; and this character is more interesting than beautiful or harmonious. The reason of this change, which affects the whole of art, may be traced to the struggle we have spoken of as the characteristic of modern character, and which, by its very nature, possesses more interest than beauty. As a sequel to what we said of Goethe, it may be remarked, that, even in works of carefully observed form like the &quot;Tasso,&quot; the presence of struggle and the predominant interest of individual character mark a broad line of distinction between their effect, and that of the more simple elements of the ancients.

The English were the first great nation in which the principle of a practical criticism was admitted as the political basis. There was a nearer approach to this in the polity of Greece and Rome than in any other modern state; and perhaps the only reason why this principle in those nations did not develope the modern fact of national regeneration may be found in the existence of slavery among them. So long as a person can exist in a state without rights, so long the true and only foundation of political criticism is wanting. Unless the principle is admitted that every man is free, no good reason can be given why any man shall be free. The reason why the detrimental influence of slavery was so long inert in the ancient nations, was that the condition of slavery had never been criticised. No error becomes immediately demoralizing, until it is the subject of criticism. A hundred years ago, a man might get daily drunk, and still retain his self-respect. Now drunkenness is ruin. So, in the ancient states, slavery might exist, and its fatal effects appear only after the lapse of centuries, and then be ascribed to other causes. Our Southern States are an obvious example. Freedom of the press does not exist, criticism does not exist, political or literary. Surely that is a strong faith which believes this state of things can be lasting. We have seen freedom of thought exist in Germany, with a censorship