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Rh a new whole; and from this principle it results, that there is such a thing as creative criticism.

The mind of Goethe was based on this principle. All the facts of his own experience, all knowledge of the characters of others, all the literature of the past, all the history and results of art, all facts of religion and history, were perpetually undergoing this process, in his mind. At each successively new point of view, he placed as a milestone a work, a &quot; Dorothea,&quot; a &quot;Tasso,&quot; a &quot; Natürliche Tochter,&quot; a &quot;Götz von Berlichengen.&quot; But not in this light are to be viewed the &quot;Faust&quot; and &quot;Wilhelm,&quot; which were rather the companions of his journey, other forms of the man's self.

In Goethe we can always perceive at work two separate forms of the principle,—constructive criticism, and destructive. That which the demonic nature of Mephistophiles perpetually pulls apart and disjoins, the human nature of Faust assimilates, and reconstructs into a whole. In the first part, where the object to be constructed is Life, the demonic power is supposed to prevail. In the second part, where the object is Art or creative thought, if the success is never complete, there is a succession of beautiful results; and Mephistophiles himself becomes the engine by which these are brought about. If we mistake not, the same idea may be traced in the &quot;Meister,&quot; though the demonic element of the &quot;Faust&quot; becomes unimpassioned observation in the latter.

Whilst we acknowledge these works as the results of the critical spirit, it may well be asked how the same principles apply in any measure to the other works which we have spoken of as the masterpieces of form, and therefore as divided, toto cœlo, from these.

The Germanic nations, including the English, are remarkable for a tendency that has no less bearing on political and religious than on literary action; viz. that, while the critical spirit is always busy in pulling to pieces, the ulterior purpose of reconstruction is never absent for a moment. This may be illustrated by examples from every department of action or achievement. The Reformation of Luther was a national criticism of Catholicism, resulting in the immediate