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 pieces of a material lustrous as satin but rivalling the finest cambric in texture (lined with the same fabric reversed), sewn together from the hem of the skirt to the arm, and fastened again by the shoulder clasps—fell perfectly loose save where compressed by the zone or by the movements of the wearer; and where so compressed, defined the outlines of the form as distinctly as the lightest wet drapery of the studio. Her dress, in short, achieved in its pure simplicity all at which the artistic skill of matrons, milliners, and maidens aims in a Parisian ball costume, without a shadow of that suggestive immodesty from which ball costumes are seldom wholly free. Exactly reversing Terrestrial practice, a Martial wife reserves for strictest domestic privacy that undressed full-dress, that frank revelation of her beauty, which the matrons of London, Paris, or New York think exclusively appropriate to the most public occasions. Till now, while still enjoying the liberty allowed to maidens in this respect, Eveena, by the arrangement of her veil, had always given to her costume a reserve wholly unexceptionable, even according to the rules enforced by the customs of Western Europe on young girls not yet presented in the marriage market of society. A new expression, or one, at least, which I had never before seen there, gave to her face a strange and novel beauty; the beauty, I wish to think, of shy, but true happiness; felt, it may be, for the first time, and softened, I fear, by a doubt of its possible endurance which rendered it as touching as attractive. Never was the sleep even of the poet of the Midsummer Night's Dream visited by a lovelier vision—especially lovely as the soft rose blush suffused her cheeks under