Page:A study of Shakespeare (IA cu31924013158393).pdf/79

 passion has not yet grappled with thought in so close and fierce an embrace as to strain and rend the garment of words, though stronger and subtler than ever was woven of human speech. Neither in his first nor in his last stage would the style of Shakespeare, even were it possible by study to reproduce it, be of itself a perfect and blameless model; but his middle style, that in which the typical plays of his second period are written, would be, if it were possible to imitate, the most absolute pattern that could be set before man. I do not speak of mere copyist's work, the parasitic knack of retailing cast phrases, tricks and turns of accent, cadences and catchwords proper only to the natural manner of the man who first came by instinct upon them, and by instinct put them to use; I speak of that faithful and fruitful discipleship of love with which the highest among poets and the most original among workmen have naturally been always the first to study and the most earnest to follow the footsteps of their greatest precursors in that kind. And this only high and profitable form of study and discipleship can set before itself, even in the work of Shakespeare, no pattern so perfect, no model so absolute, as is afforded by the style or manner of his second period.