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was read by Mr. A. on the disputed authorship of A Midsummer Night's Dream. He was decidedly of opinion that this play was to be ascribed to George Chapman. He based this opinion principally on the ground of style. From its similarity of subject he had at first been disposed to assign it to Cyril Tourneur, author of The Revenger's Tragedy; and he had drawn up in support of this theory a series of parallel passages extracted from the speeches of Vindice in that drama and of Oberon in the present play. He pointed out however that the character of Puck could hardly have been the work of any English poet but the author of Bussy d'Ambois. There was here likewise that gravity and condensation of thought conveyed through the medium of the "full and heightened style" commended by Webster, and that preponderance of philosophic or political discourse over poetic interest and dramatic action for which the author in question had been justly censured.

Some of the audience appearing slightly startled by this remark (indeed it afterwards appeared that the Chairman had been on the point of asking the learned member