Page:A study of Shakespeare (IA cu31924013158393).pdf/272

 Derby.Let's leave him to his humour. [Exeunt and.Edward. Thus from the heart's abundance speaks the tongue; Countess for emperor: And indeed, why not? She is as imperator over me; And I to her Am as a kneeling vassal, that observes The pleasure or displeasure of her eye.

In this little scene there is perhaps on the whole more general likeness to Shakespeare's earliest manner than we can trace in any other passage of the play. But how much of Shakespeare's earliest manner may be accounted the special and exclusive property of Shakespeare?

After this dismissal of the two nobles, the pimping poeticule, Villon manqué or (whom shall we call him?) réussi, reappears with a message to Cæsar (as the King is pleased to style himself) from "the more than Cleopatra's match" (as he designates the Countess), to intimate that "ere night she will resolve his majesty." Hereupon an unseasonable "drum within" provokes Edward to the following remonstrance:

What drum is this, that thunders forth this march, To start the tender Cupid in my bosom? Poor sheepskin, how it brawls with him that beateth it! Go, break the thundering parchment bottom out, And I will teach it to conduct sweet lines

("That's bad; conduct sweet lines is bad.")

Unto the bosom of a heavenly nymph: For I will use it as my writing paper; And so reduce him, from a scolding drum, To be the herald, and dear counsel-bearer,