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 in a modest corner of the critical world exactly a hundred and seventeen years ago. Its parent, notwithstanding this perhaps venial indiscretion, was apparently an honest and modest gentleman; and the play itself, which this ingenuous theorist was fain, with all diffidence, to try whether haply he might be permitted to foist on the apocryphal fatherhood of Shakespeare, is not without such minor merits as may excuse us for wasting a few minutes on examination of the theory which seeks to confer on it the factitious and artificial attraction of a spurious and adventitious interest.

"The Raigne of King Edward the third: As it hath bin sundrie times plaied about the Citie of London," was published in 1596, and ran through two or three anonymous editions before the date of the generation was out which first produced it. Having thus run to the end of its natural tether, it fell as naturally into the oblivion which has devoured, and has not again disgorged, so many a more precious production of its period. In 1760 it was reprinted in the "Prolusions" of Edward Capell, whose text is now before me. This editor was the first mortal to suggest that his newly unearthed treasure might possibly be a windfall from the topless tree of Shakespeare. Being, as I have said, a duly modest and an evidently honest man, he admits "with candour" that there is no jot or tittle of "external evidence" whatsoever to be alleged in support of this gratuitous attribution: but he submits, with some fair show of reason, that there is a certain "resemblance between the style of" Shakespeare's "earlier performances and of the work