Page:A study of Shakespeare (IA cu31924013158393).pdf/230

 pointed and coloured as usual with him alone by direct and absolute aptitude to the immediate sentiment and situation of the speaker and of no man else: then either Fletcher strikes in for a moment with a touch of somewhat more Shakespearean tone than usual, or possibly we have a survival of some lines' length, not unretouched by Fletcher, from Shakespeare's first sketch for a conclusion of the somewhat calamitous and cumbrous underplot, which in any case was ultimately left for Fletcher to expand into such a shape and bring by such means to such an end as we may safely swear that Shakespeare would never have admitted: then with the entrance and ensuing narrative of Pirithous we have none but Shakespeare before us again, though it be Shakespeare undoubtedly in the rough, and not as he might have chosen to present himself after due revision, with rejection (we may well suppose) of this point and readjustment of that: then upon the arrival of the dying Arcite with his escort there follows a grievous little gap, a flaw but pitifully patched by Fletcher, whom we recognise at wellnigh his worst and weakest in Palamon's appeal to his kinsman for a last word, "if his heart, his worthy, manly heart" (an exact and typical example of Fletcher's