Page:A study of Shakespeare (IA cu31924013158393).pdf/206

 unentangled. In the second period this gaiety was replaced by the utmost frankness and fullness of humour, as a boy's merry madness by the witty wisdom of a man: but now for a time it would seem as if the good comic qualities of either period were displaced and ousted by mere coarseness and crudity like that of a hard harsh photograph. This ultra-Circean transformation of spirit and brutification of speech we do not find in the lighter interludes of great and perfect tragedy: for the porter in Macbeth makes hardly an exception worth naming. It is when we come upon the singular little group of two or three plays not accurately definable at all but roughly describable as tragi-comedies, or more properly in two cases at least as tragedies docked of their natural end, curtailed of the due catastrophe—it is then that we find for the swift sad bright lightnings of laughter from the lips of the sweet and bitter fool whose timeless disappearance from the stage of King Lear seems for once a sure sign of inexplicable weariness or forgetfulness on Shakespeare's part, so nauseous and so sorry a substitute as the fetid fun and rancid ribaldry of Pandarus and Thersites. I must have leave to say that the coincidence of these two in the scheme of a single play is a thing hardly