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 direct and bitter and tender than Shakespeare has shown elsewhere. But as even to this day and even in respectable quarters the murmur is not quite duly extinct which would charge on Shakespeare a certain share of divine indifference to suffering, of godlike satisfaction and a less than compassionate content, it is not yet perhaps utterly superfluous to insist on the utter fallacy and falsity of their creed who whether in praise or in blame would rank him to his credit or discredit among such poets as on this side at least may be classed rather with Goethe than with Shelley and with Gautier than with Hugo. A poet of revolution he is not, as none of his country in that generation could have been: but as surely as the author of Julius Cæsar has approved himself in the best and highest sense of the word at least potentially a republican, so surely has the author of King Lear avowed himself in the only good and rational sense of the words a spiritual if not a political democrat and socialist.

It is only, I think, in this most tragic of tragedies that the sovereign lord and incarnate god of pity and terror can be said to have struck with all his strength a chord of which the resonance could excite such angry agony and heartbreak of wrath as