Page:A study of Shakespeare (IA cu31924013158393).pdf/175

 or a sophist a fallacy; that he wrote "for gain, not glory," or that having written Hamlet he thought it nothing very wonderful to have written. For himself to have written, he possibly, nay probably, did not think it anything miraculous; but that he was in the fullest degree conscious of its wonderful positive worth to all men for all time, we have the best evidence possible—his own; and that not by mere word of mouth but by actual stroke of hand. Ben Jonson might shout aloud over his own work on a public stage, "By God 'tis good," and so for all its real goodness and his real greatness make sure that both the workman and his work should be less unnaturally than unreasonably laughed at; Shakespeare knew a better way of showing confidence in himself, but he showed not a whit less confidence. Scene by scene, line for line, stroke upon stroke and touch after touch, he went over all the old laboured ground again; and not to ensure success in his own day and fill his pockets with contemporary pence, but merely and wholly with a purpose to make it worthy of himself and his future students. Pence and praise enough it had evidently brought him in from the first. No more palpable proof of this can be desired than the instantaneous attacks on it, the jeers,